Download PDF Writing Your Story's Theme: The Writer's Guide to Plotting Stories That Matter (Helping Writers Become Authors Book 9) By K.M. Weiland

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Writing Your Story's Theme: The Writer's Guide to Plotting Stories That Matter (Helping Writers Become Authors Book 9)-K.M. Weiland

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Ebook About
Theme Is What Your Story Is Really AboutTheme—the mysterious cousin of plot and character. Too often viewed as abstract rather than actionable, theme is frequently misunderstood and left to chance. Some writers even insist theme should not be purposefully implemented. This is unfortunate, because in many ways theme is story. Theme is the heart, the meaning, the point. Nothing that important should be overlooked.Powerful themes are never incidental. They emerge from the conjunction of strong plots and resonant character arcs. This means you can learn to plan and implement theme. In doing so, you will deepen your ability to write not only stories that entertain, but also stories that stay with readers long after the end.Writing Your Story’s Theme will teach you:How to create theme from plot and character.Why every supporting character and subplot should enhance the theme.How to prevent theme from seeming preachy or “on the nose.”What to consider in identifying the best theme for any given story.And much more!Conscious mastery of theme will elevate every story you write and allow you to craft fiction of depth and meaning.Take Control of Your Story Via a Powerful Implementation of Theme

Book Writing Your Story's Theme: The Writer's Guide to Plotting Stories That Matter (Helping Writers Become Authors Book 9) Review :



In the interests of full disclosure, I received an early copy of this book to allow me to review it. It was so useful, I went ahead and bought the Kindle edition when it became available.One of the things that I find most attractive about Katie's books is that they are a wonderful mixture of the theoretical and the practical. She will explain the theoretical aspects of an aspect of the writing craft in sufficient detail that even the most inept of aspiring writers can figure it out. A lot of those who write about craft can do that. What distinguishes Katie's books is that she will add practical examples. I read these and often say, "Ah Ha! So that is what I have to do to master ." Of course, it takes more than one (or even a few) readings of the material to be able to apply the new knowledge to one's current work in progress.This book covers one of the most difficult concepts of writing: the theme of the work. Theme is perhaps the most important part of the story: why does this story exist? I read a lot and more than a few of these stories fall into what a category I call, "travelogues through a strange and unfamiliar land". The journey may well be interesting and even enjoyable but it lacks purpose and meaning. The characters are largely unchanged, the resolution of the plot resolves nothing, and, a short time later, the story fades from memory. A story with a solid theme digs into the reader and refuses to let go. Even if the story is uncomfortable to read, it stays with the reader, challenging and perhaps enhancing the reader's understanding of the world. These are the stories that demand to be re-read and then re-read again.This book is straightforward handbook on how to get closer to writing stories that have a fighting chance to be more than travelogues. Hemingway wrote on the craft of writing, "Writing is something that you can never do as well as it can be done." And somewhere else he mused that no matter how much you had learned about writing, there was always more to learn.Read this book, try to apply the insights, rinse, repeat.
Many books and podcasts on the craft of writing contain a discussion of theme. They usually start with an acknowledgement that theme can be a nebulous concept and throw out lots of good—but mostly the same—ideas and advice. What this book does differently is tie theme into the other aspects of the craft, like structure, plot, and characterization, in a way that makes the advice *actionable*. It’s still true that there’s significant art in actually implementing it in your own work, but the author does a good job of clarifying how things can or should tie together and provides lots of useful examples. I found myself leaving the book repeatedly to jot down notes on how I could tweak this or that scene or character in my own work in progress to better support the theme. It’s the best value per hour of time invested that I’ve experienced since first encountering story structure. It’s my favorite of the author’s work thus far. It builds upon her earlier work, and you definitely want to understand story structure and character arcs to get the most use out of this book, but if you’re unfamiliar or rusty with respect to those topics, there’s a nice appendix that will probably give you what you need.

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